p16.d4 'acRID acME of...' CD (selektion stc 02 1989)

a flabbergasting farewell or almost farewell back then. the rid me of p16.d4 (disguised as acrid acme of) is a form of compilation showing nearly all of the project's faces. definitely THE collection (ok is 'tionchor' too mostly assembled from compilation tracks) of the project that gave to industrial its musique concrete approach and vice versa...


Section 1: 1981
1 P16.D4 - Maba 4. 12. 2:05
2 P16.D4 - Kriemhilds Rache 3:59
3 P16.D4 - Rotting Outscratched 5:41
Section 2: 1987
4 P16.D4 - 4 10 Up / 3 Down 3:11
5 P16.D4 - Sabine Mit Helmut ... 1:46
6 P16.D4 - ... Their Coffin-Shaped Clock 1:32
7 P16.D4 - Das Lamm, Der Dolch 3:37
8 P16.D4 - Acrid Addled Adze 2:26
Section 3: Musique Concrète Improvisée
9 P16.D4 - Half Cut Crows 10:14
10 P16.D4 - Interfaces 5:35
Section 4: P16.D4 & Merzbow
11 P16.D4 & Merzbow - Zur Genese Der Halbbildung 19:49

Credits
Performer - Ewald Weber , Roger Schönauer , Stefan E. Schmidt
Notes
Section 1: All tracks of this section are based on material recorded in 1981
wich was treted and recomposed in 1987. The idea was to work with early
rock-recordings in a non-nostalgic way analysing the relations between
actual and early-80 approaches.

Section 2 consits of compositions featured on the Captured Music Festival,
february 1987. Since the performance was denominated by confrontation and
combination of acoustic and optic elements, the tracks were rearranged as
"pure acoustic" features.

Section 3: Whilst the tracks of the other 3 section are composed with
studio-techniques these are improvised direct-to-tape.

Acrid Acme (Of) P16.D4
It's anti-social to play this record in public.




rid me of